Originally built in 1953 to a design by Edwin Kingsbury, it earned its curved forms, stonework, and eccentric spirit the local name ‘The Castle’. Now, after decades of neglect, the house has been meticulously repaired and respectfully transformed.

The charismatic and unconventional design is, barring occasional deviations, rooted in an exaggerated interpretation of the modernist period. Most notable are the living areas nestled beneath the 320 sqm kidney-shaped roof. No right angles. All with over 4-metre-high ceilings, expansive views, and a simple palette of wood and stone materiality.

Mysterious external and internal corridors and passageways circuitously interconnect these spaces, leading unexpectedly to an expansive 80m² free-span dining room that flows onto an enormous, seemingly isolated patio with uninterrupted Pacific Ocean and Pittwater views.

The client’s brief asked for continuity, not reinvention. They wanted to preserve the building's theatrical eccentricity while upgrading its amenity and accessibility. A new driveway and cable car now provide step-free access. A new kitchen and laundry were cocooned beneath the existing roof discreetly. The new master suite wraps the southern edge of the grand room, treading lightly around sandstone boulders and mature angophoras.

The architects’ approach was collaborative and careful. The additions extend the original language: black timber, terrazzo, pickled timber panelling, and dichroic glass louvres echo the original’s palette. Salvaged materials were reused, and asymmetrical skylights cast shafts of light across restored stone walls.

The grand room’s bowstring truss was repaired. A sculptural steel ‘E Port’ halfway up the hill now powers the home with bifacial solar panels. Babylon today is both a relic and a renewal, alive to the landscape and open once more to light, weather, and the poetic ascent through space.

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