Wojciech Pluta, director at Denton Corker Marshall, is currently project director for the Walter and Eliza Hall Institute’s Western Expansion in Parkville, Melbourne.

Pluta started studying architecture at Poland’s Polytechnic of Krakow and subsequently transferred to the Royal Melbourne Institute of Technology Bachelor of Architecture course, from which he graduated with Honours in 1989.

Architecture & Design spoke to Pluta about growing up near the mountains of Zakopane in Poland, why the Manchester Civil Justice Centre symbolises the open and accessible character of the civil justice system and why tension between architects can be positive.

How did growing up in Poland shape the way you approach architecture?

I was lucky to grow up in a small town at the foot of the Tatra Mountains called Zakopane. The picturesquely situated Zakopane is widely known for its unspoiled landscapes and the unique authentic folk style of its architecture, paintings and music. All traditional houses there are built in wood – without the use of any metal nails – and they are beautifully proportioned and exquisitely detailed.

It’s a local legend that all Zakopane men are born to construct these buildings. I was trained in carpentry at secondary school, crafting wood in traditional ways. I’m fascinated by the properties and qualities of natural materials and modernist design and I feel these interests are connected to the traditions and techniques I learned about growing up in Poland.

How do you see countries like Poland approach architecture compared to Australia?

The architectural past of European countries can sometimes over influence contemporary architectural thinking, which in my opinion Australia doesn’t suffer to the same extent. I find Australian architects more broadminded and keener to know what is happening and is being created in other parts of the world. The Australian approach tends to be less conservative, wide-ranging in the quality architecture generated here and very often allowing lesser known architects to compete with already established practices.

The now complete Walter and Eliza Hall Institute Redevelopment. Image: John Gollings

You’ve been involved in a lot of European projects. Do you think it is becoming more common for architects to work across a global network? What is facilitating this?

Without a doubt, technology and the relative ease of getting around the world make it easier for designers to work globally. Online media has been a huge factor in increasing our awareness and drawing inspiration from other corners of the world, but also allowing the other corners to appreciate what we are designing and are capable off.

The Manchester Civil Justice Centre designed by architects Denton Corker Marshall

What project are you most proud of and why?

Manchester Civil Justice Centre. I was there right from day one: project architect during the development of the scheme, which won the international design competition, and design associate during documentation and construction. It means a lot to me that we were able to fulfill the client’s wish, creating a building which symbolises the open and accessible character of the civil justice system – a public building rather than a secret place inhabited only by defendants and lawyers.

I’m equally proud that the almost completed new building for the Walter + Eliza Hall Institute is able to reflect the international importance of the medical discoveries that are made within, and that the existing building by Daryl Jackson has been integrated seamlessly with the new building to carry a vibrant, forward-looking imagery for the whole complex.

What do you think is the most exciting aspect about architecture at the moment?

Australia is increasingly more design conscious, especially about architecture. For example, the general public is definitely appreciating the benefits that design can bring to our urban environment. Places like Federation Square or Melbourne Museum are successful because of the quality of their design. Good architects are also more and more involved in residential developments, reaffirming to the wider community that good design does not need to cost more but will always provide more satisfying living spaces and very likely economical returns.

What is the most important lesson you have learnt in your time as an architect?

To stand by my principals when they are questioned by others. The formula is quite simple – stick to your beliefs and persevere, with a healthy degree of humour.

What changes do you predict for the architectural profession over the next two years? 

I hope for a continuation of the trend towards more understanding by the general public about why architects are essential participants in any discourse questioning issues of contemporary living environments, particularly values of sustainable design and higher quality urban design.

We have many fantastic architects in Australia and as a result, stimulating architectural discourse where established members of our profession are being challenged by young architects. I think this tension is fantastic and that further development of this engagement within the profession will ultimately lead to some mainstream influence.